A |
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Acoustic Suspension |
A sealed or closed box speaker enclosure |
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Alignment
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A class of enclosure parameters that provides optimum performance for a woofer with a given value of Q
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Alpha
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In sealed enclosure designs, the ratio of Vas to Vb, where Vb is the volume of the box you will build. See sealed enclosure
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Alternating Current (AC) |
An electrical current that periodically changes in magnitude and direction. The frequency this occurs is measured in Hertz (Hz) or expressed as Cycles per Second (c.p.s.). One Hertz equals one full cycle per second |
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Ampere(A)
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The unit of measurement for electrical current in coulombs per second. There is one ampere in a circuit that has one ohm resistance when one volt is applied to the circuit. See Ohms Law
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Amplifier
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An electrical circuit designed to increase the current, voltage, or power of an applied signal. Class D operation is switching, hence the term switching power amplifier. Here the output devices are rapidly switched on and off at least twice for each cycle. Theoretically since the output devices are either completely on or completely off they do not dissipate any power. If a device is on there is a large amount of current flowing through it, but all the voltage is across the load, so the power dissipated by the device is zero (found by multiplying the voltage across the device [zero] times the current flowing through the device [big], so 0 x big = 0); and when the device is off, the voltage is large, but the current is zero so you get the same answer. Consequently class D operation is theoretically 100% efficient, but this requires zero on-impedance switches with infinitely fast switching.
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Anechoic Chamber (Room) |
A specially designed room, used for testing microphones and speakers, rendered acoustically "dead" by sound absorbing material.
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Aperiodic Enclosure |
An otherwise sealed enclosure design, but with a vent that is stuffed with damping material, which flattens out the impedance curve of the design. The area of this resistive vent should be about 10 sq. in. per cubic ft. of enclosure volume. This design might take some experimentation with the vent stuffing, testing the impedance curve several times with different amounts of damping material until the flattest impedance curve is found. The aperiodic resistive vent damps the driver in much the same way as fully stuffing a sealed enclosure with damping material (100% fill). In this way, an optimum design may be made up to 20% (or more) smaller due to the extra damping of the resistive vent. Enthusiasts of this design often compare the performance with transmission line enclosures, advocating that the design avoids the "ringing" effects of ported enclosures while alleviating the "pressure effect" of the sealed box.
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Attenuation |
The reduction, typically by some controlled amount, of an electrical signal.
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Audio frequency |
The acoustic spectrum of human hearing, generally regarded to be between 20 Hz and 20 kHz.
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Auxiliary Input |
An auxiliary input allows you to select an external source and play it through the cd player's amplifier. It's often used for iPods and MP-3 players. Typically you just need an inexpensive patch cable that connects the headphone output from your portable player to the input on the CD player. After that you can select "AUX" as another source like CD or Tuner, and whatever's playing on the portable unit will be heard through the speakers. Auxiliary inputs can be on the front or the rear of the CD player Aux inputs are typically 3.5mm stereo plugs, similar to a small headphone jack.
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B |
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Baffle |
A board or other plane surface used to mount a loudspeaker.
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Bandwidth |
The range of frequencies covered by a driver or a network (crossover). |
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Band-pass Enclosure |
See dual reflex bandpass and single reflex bandpass. |
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Band-pass filter |
An electric circuit designed to pass only middle frequencies. See also High-pass and Low-pass filters.
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Basket |
The metal frame of a speaker. |
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"Bass Blockers" |
First order high pass crossovers (non-polarized capacitors), generally used on midbass or dash speakers to keep them from trying to reproduce deep bass.
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Bass (lows) |
The low end of the audio frequency spectrum, from approximately 20 Hz up to 400 Hz or so |
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Bass Reflex |
A ported enclosure. Loudspeaker enclosure with a tuned outlet permitting sound from the rear of the speaker cone to be radiated to the front.
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Beaming |
The tendency of a loudspeaker to concentrate the sound in a narrow path instead of spreading it.
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Bi-Amping |
The use of two amplifiers for high and low frequency ranges in an audio circuit, usually within the same speaker enclosure.
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Bluetooth |
Bluetooth is an open wireless technology standard for exchanging data over short distances (using short wavelength radio transmissions) The code name given a wireless network protocol, after a 10th century Danish king, Harald Bluetooth, who unified Denmark. The code name was adopted in April, 1998
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Bridging |
Combining both left and right stereo channels on an automotive amplifier into one higher powered mono channel. When an amplifier is bridged, the impedance that the amplifier actually "sees" is calculated based upon the output of both stereo channels. Here is a simple formula to help define this:
Bridged Mono Impedance = (Y / X)/2
Y = impedance of driver(s) (both drivers should be identical)
X = # of drivers in circuit
So, hooking up one 4 ohm sub bridged mono would be equal to hooking up two 2 ohm subs in stereo, one to each channel.
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C |
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Cabin gain |
The low frequency boost normally obtained inside a vehicle interior when subs are properly mounted. |
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Capacitor |
A device made up of two metallic plates separated by a dielectric (insulating material). Used to store electrical energy in the electrostatic field between the plates. It produces an impedance to an ac current. In automotive applications, special "Power Line Caps" can be connected inline to the amplifier to aid the alternator in supplying current demands of amps. Non-polarized capacitors can be used as first order passive high pass crossovers, or as components in more complex high pass, bandpass and lowpass crossovers. See power line caps.
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Center Channel |
In home theater, sound decoded from the stereo signal sent to a speaker mounted in front of the listener, specially designed to enhance voices and sound effects from a movie soundtrack. Used in car audio to help offset skewed stereo imaging due to seating positions in the automotive environment.
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Channel |
The path an audio signal travels through a circuit during playback. At least 2 channels are required for stereo sound |
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Channel Separation |
Degree to which left and right channel signals are separated in a stereo pickup, FM stereo tuner, amplifier, etc
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Circuit |
A complete path that allows electrical current from one terminal of a voltage source to the other terminal. |
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Clipping |
A distortion caused by cutting off the peaks of audio signals. Clipping usually occurs in the amplifier when it's input signal is too high or when the volume control is turned to high. |
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CMS |
Mechanical suspension compliance of a driver, consisting of the spider and surround.
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Coaxial Driver |
A speaker composed of two individual voice coils and cones; used for reproduction of sounds in two segments of the sound spectrum. See also triaxial driver. |
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Coaxial Input |
Refers to an input socket on a device that connects to a coaxial cable. It often refers to early TV sets that accepted signals from an antenna or VCR only via a coaxial cable. Modern TVs have coax inputs plus inputs that use RCA phono and HDMI cables |
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Coulomb |
6.25 (10)^18 electrons per second. |
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Coloration |
Any change in the character of sound that reduces naturalness, such as an overemphasis of certain tones. |
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Compliance |
The relative stiffness of a speaker suspension, specified as Vas |
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Cone |
The cone-shaped diaphragm of a speaker attached to the voice coil which produces pulsation's of air that the ear detects as sound. |
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Crossover Frequency |
The frequency at which a driver's response is down -3dB. |
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Crossover Network (Filter) |
An electric circuit or network that splits the audio frequencies into different bands for application to individual speakers. See Electronic and Passive Crossover. |
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Current (I) |
The flow of electrical charge measured in amperes. |
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D
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Damping |
The reduction of movement of a speaker cone, due either to the electromechanical characteristics of the speaker driver and suspension, the effects of frictional losses inside a speaker enclosure, and/or by electrical means. |
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Damping Material |
Any material added to the interior of a speaker enclosure to absorb sound and reduce out-of-phase reflection to the driver diaphragm (cone). Usually acoustic fiberglass, polyester batting, acoustical foam, or Polyfill is used in speaker enclosures |
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Decibel (dB) |
A logarithmic scale used to denote a change in the relative strength of an electric signal or acoustic wave. It is a standard unit for expressing the ratio between power and power level. An increase of +3 dB is a doubling of electrical (or signal) power; an increase of +10 dB is a doubling of perceived loudness. The decibel is not an absolute measurement, but indicates the relationship or ratio between two signal levels |
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Diaphragm |
The part of a dynamic loudspeaker attached to the voice coil that moves and produces the sound. It usually has the shape of a cone or dome.
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Direct Current (DC) |
Current in only one direction. |
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Diffraction |
A change in the direction of a wave front that is caused by the wave moving past an obstacle. |
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Dispersion |
The spreading of sound waves as it leaves a speaker.
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Distortion |
Any undesirable change or error in the reproduction of sound that alters the original signal. |
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Dome Tweeter |
A high frequency speaker with a dome-shaped diaphragm. |
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Double (Dual) Voice Coil (DVC) |
A voice coil with two windings, generally subwoofers. Each voice coil can be connected to a stereo channel, or both voice coils can be wired in parallel or series to a single mono channel. |
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Driver |
A loudspeaker unit, consisting of the electromagnetic components of a speaker, typically a magnet and voice coil.
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Driver Parameters |
The physical properties of a driver that determine it's electrical and acoustical behavior. The minimum parameters used in determining speaker enclosures are Fs, Qts, and Vas. See Thiele/Small Parameters. |
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Dynamic range |
The range of sound intensity a system can reproduce without compressing or distorting the signal. |
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E
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EBP |
Efficiency Bandwidth Product. A rating that helps a builder determine whether a driver is suitable for a sealed or ported enclosure. EBP of less than 50 indicates the driver should be used in a sealed, 50 - 90 indicates flexible design options, over 90 indicates best for a ported enclosure.
EBP = Fs / Qes
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Efficiency rating |
The loudspeaker parameter that shows the level of sound output when measured at a prescribed distance (usually 1 meter) with a standard level of electrical energy fed into the speaker. Note, however, that a driver with a high efficiency rating needs a larger box to play a lower frequency than a driver with a lower efficiency rating. This means that a low efficiency driver in a small box will actually have higher sub bass SPL's than a high efficiency driver in a similar small box. |
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Electronic Crossover |
Uses active circuitry to send signals to appropriate drivers. More efficient than passive crossovers. |
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Enclosure |
the box that contains the driver(s). |
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Equalizer |
Electronic device used to boost or attenuate certain frequencies.
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F |
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F3 |
The roll-off frequency at which the driver's response is down -3dB from the level of it's midband response, sometimes called the cutoff frequency.
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Fb |
The tuned frequency of a ported box. |
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Fc or Fcb |
The system resonance frequency of a driver in a sealed box. |
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Fs |
The frequency of resonance for a driver in free air. |
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Farad |
The basic unit of capacitance. A capacitor has a value of one farad when it can store one coulomb of charge with one volt across it.
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Flat Response |
The faithful reproduction of an audio signal; specifically, the variations in output level of less than 1 dB above or below a median level over the audio spectrum.
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Free Air Resonance |
The natural resonant frequency of a driver when operating outside an enclosure.
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Frequency |
The number of waves (or cycles) arriving at or passing a point in one second, expressed in hertz (Hz). |
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Frequency Response |
The frequency range to which a system, or any part of it, can respond. Unless a limit of variation in intensity is stated, this specification is meaningless. i.e., you see a subwoofer in a ported enclosure with a rated response of 35 - 300 Hz. Means nothing. It could very well be that it is 35 - 300 Hz (-24 dB), which means the low frequency roll-off actually begins at around 70 Hz. It needs to read something like this: 35 - 300 Hz (- 3 dB), which gives 35 Hz as the actual roll off frequency. |
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Fundamental Tone |
The tone produced by the lowest frequency component of an audio signal.
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Full-range |
A speaker designed to reproduce all or most of the sound spectrum.
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G |
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Golden Ratio |
The ratio of the depth, width, and height of a speaker enclosure, based on the Greek Golden Rectangle. Usually recommended for home speakers, difficult to use in car audio applications. The Ratio: W = 1.0, Depth = 0.618W, Height = 1.618W.
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Ground |
Refers to a point of (usually) zero voltage, and can pertain to a power circuit or a signal circuit. In car audio, the single most important factor to avoid unwanted noise is finding and setting a good ground.
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H |
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Harmonic |
The multiple frequencies of a given sound, created by the interaction of signal waveforms. |
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Harmonic Distortion |
Harmonics artificially added by an electrical circuit or speaker, and are generally undesirable. It is expressed as a percentage of the original signal. See THD.
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Head Unit |
The in dash control center of a car audio system, usually consisting of an internal low powered amp, AM/FM receiver, and either a tape or CD player (or both). |
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Hertz (Hz) |
A measurement of the frequency of sound vibration. One hertz is equal to one cycle per second. The hertz is named for H.R. Hertz, a German physicist |
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High-pass Filter |
An electric circuit that passes high frequencies but blocks low ones. See Band-pass and Low-pass filters |
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Home Theater |
An audio system designed to reproduce the theater sound experience while viewing movies in the home. Minimally consisting of a Dolby Pro Logic® surround sound receiver, left and right front speakers, a center channel speaker, and at least (1) surround sound speaker. These plus optional subwoofer(s), surround speaker(s), and digital formats such as Dolby Digital® can enhance the viewing experience by drastically improving the sound quality of movie soundtracks.
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I |
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Impedance |
The opposition of a circuit or speaker to ac current; the combined effect of a speaker's resistance, inductance, and capacitance that opposes the current fed to it. It is measured in ohms and varies with the frequency of the signal.
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Inductance (L) |
The capability of a coil to store energy in a magnetic field surrounding it. It produces an impedance to an ac current. Inductors are commonly used in audio as low pass crossovers. See Le.
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Infinite Baffle |
A flat surface that completely isolates the back wave of a driver from the front without a standard enclosure. |
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Infrasonic (Subsonic) Filter |
A filter designed to remove extremely low frequency (25Hz or lower) noise from the audio signal. Useful for Ported box designs.
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Input |
The current fed into a loudspeaker |
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K |
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Kilohertz (kHz)
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One thousand hertz.
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L |
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Le |
The inductance of a driver's voice coil, typically measured at 1 kHz in millihenries (mH).
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Low-Pass Filter |
An electric circuit designed to pass only low frequencies. See Band-pass and High-pass filters.
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Lobing |
The tendency of a speaker system that consists of more than one driver to produce a lobed frequency response in space with in-phase reinforcement (lobes) from the various drivers occurring at some elevations and out-of-phase opposition (nulls) at points between the lobes.
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M |
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Magnetically Shielded |
A loudspeaker has its magnetic field contained so that it can’t discolor or damage a CRT type TV monitor..
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Maximum power rating |
A value which means almost nothing, but is used nonetheless by manufacturers to entice the unsuspecting into purchasing their product based solely on the big number. Technically, it is the maximum wattage that an audio component can deliver/handle as a brief burst during a musical peak. Most reputable manufacturers will provide both an RMS and Max power rating. Typically, the given value for the maximum power rating is twice to three times that of RMS. Automotive head units are a good example of this shady technique, as all the ones I have ever seen use this rating for the built in amplifier output. Use RMS for determining real world equipment capabilities. |
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Microfarads (mF) |
A measurement of capacitance |
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Midbass |
Mid level bass, usually frequencies just above the sub-bass range, from around 100 - 400 Hz or so |
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Midrange (mids) |
The frequency range above bass but below treble that carries most of the identifying tones of music or speech. It is usually from 300 - 400 Hz to 3kHz or so.
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Millihenries (mH) |
A measurement of inductance. |
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Mms |
The moving mass of a driver assembly |
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Mono |
Monophonic sound. A method for reproducing sound where the signals from all directions or sources are blended into a single channel |
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MOSFET |
Metal Oxide Semiconductor Field Effect Transistors. Used in most modern, quality car audio amplifiers in the power supply (and sometimes in the output stage). MOSFET's run cooler than normal bipolar transistors, and have a faster switching speed. |
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N |
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Noise |
Any undesirable sound reproduced in an audio system. |
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